{"id":600,"date":"2022-01-03T19:06:04","date_gmt":"2022-01-03T19:06:04","guid":{"rendered":"https:\/\/jm31.com\/wp_jm31\/galerie\/"},"modified":"2026-01-16T10:17:10","modified_gmt":"2026-01-16T09:17:10","slug":"le-kouac-band","status":"publish","type":"page","link":"https:\/\/jm31.com\/wp_jm31\/le-kouac-band\/","title":{"rendered":"Le Kouac-band"},"content":{"rendered":"


\n<\/span><\/p>\n

Les textes, les partitions et les fichiers Midi du kouac !<\/span><\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Saison 2022<\/span><\/th>\n<\/tr>\n
N\u00b0<\/span><\/td>\nPAROLES – ACCORDS – PARTITION<\/span><\/td>\nPDF<\/span><\/td>\nLien
\nsite Internet<\/span><\/td>\n		Fichier mp3<\/span><\/td>\nFichier midi<\/span><\/td>\n<\/tr>\n
1<\/span><\/td>\nOye como va – Carlo Santana<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/a> <\/span>\u00a0<\/a><\/span><\/span><\/td>\n<\/a><\/span><\/td>\n<\/tr>\n

\n2<\/span><\/td>\n		The River – Bruce Springsteen <\/a>– \u00a0Partition guitar<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
3<\/span><\/td>\nHungry Heart <\/a>– Bruce Springsteen 2*A4<\/a> ou 1*A4<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n

\n4<\/span><\/td>\n		L’\u00e9t\u00e9<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
5<\/span><\/td>\nLes mains d’or<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
6<\/span><\/td>\nLa seine – M Paradis<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/a>\"\"<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
7<\/span><\/td>\nSweet Home on Chicago – <\/a>Robert Johnson<\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
8<\/span><\/td>\nJumping jack Flash<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
9<\/span><\/td>\nOne Bourbon, one scotch<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
11<\/span><\/td>\nLa bamba<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
13<\/span><\/td>\nSur la route de Memphis<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
14<\/span><\/td>\nAin’t Mis be havin’<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
15<\/span><\/td>\nLet’s Fall in love<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
16<\/span><\/td>\nMean to me<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
17<\/span><\/td>\nDaybreak<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
18<\/span><\/td>\nFly Me To The Moon<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
19<\/span><\/td>\nL’Aurore<\/a> <\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
20<\/span><\/td>\nPerdido<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
21<\/span><\/td>\nRock Around the Clock<\/a> <\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
22<\/span><\/td>\nJohny B. Good<\/a><\/span><\/td>\n <\/a><\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
23<\/span><\/td>\nC\u00e9cile<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
24<\/span><\/td>\nTu verras<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
25<\/span><\/td>\nLa javanaise<\/a><\/span><\/td>\n<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
26<\/span><\/td>\nManha de
\ncarnaval<\/a><\/span><\/td>\n		<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
27<\/span><\/td>\nTWIST AND SHOUT – LES BEATLES<\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
28<\/span><\/td>\nDRIVE MY CAR – LES BEATLES<\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29<\/span><\/td>\nNA BALADA – MICHEL TELO<\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2930<\/span><\/td>\nEn apesanteur<\/a><\/span><\/td>\n<\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
29<\/span><\/td>\nCaravane<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
29<\/span><\/td>\nCendrillon<\/a><\/span><\/td>\n<\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
29<\/span><\/td>\nLe lion<\/a> – sol do sol r\u00e9<\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
29<\/span><\/td>\nCes id\u00e9es l\u00e0<\/a><\/span><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/a><\/span><\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n<\/div>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Saison 2011 2012<\/span><\/td>\n<\/tr>\n

\nN\u00b0<\/span><\/td>\n		PAROLES – ACCORDS – PARTITION<\/span><\/td>\n
\nLien
\nsite Internet<\/span><\/td>\n
\nFichier mp3<\/span><\/td>\n
\nFichier midi<\/span><\/td>\n<\/tr>\n

\n1<\/span><\/td>\n		Madame n’aime pas en G – F. Cabrel<\/a> – version valid\u00e9e cclb !!!<\/span><\/td>\n\"\"<\/td>\n<\/td>\n<\/td>\n<\/tr>\n

\n2<\/span><\/td>\n		Clandestino Manu Chao\u00a0<\/a>– version valid\u00e9e cclb !!!<\/span><\/td>\n<\/td>\n
\n<\/a><\/span><\/td>\n		<\/td>\n<\/tr>\n
3<\/span><\/td>\nRed Hot Chili Peppers Californication<\/a><\/span><\/span><\/td>\n<\/a><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/td>\n<\/tr>\n
8<\/span><\/td>\n
\n
\nDonne du rhum \u00e0 ton homme – Georges MOUSTAKI<\/a><\/span><\/td>\n
\n<\/span><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/tr>\n
9<\/span><\/td>\n
\nBabby come back -*EQUALS<\/a><\/span><\/td>\n
\n<\/span><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/tr>\n
10<\/span><\/td>\nDu rhum desfemmes – SOLDAT LOUIS<\/a><\/span><\/td>\n<\/td>\n\"\"<\/td>\n<\/td>\n<\/tr>\n
3<\/span><\/td>\n <\/p>\n

Oye como va – Carlo Santana<\/a> – version valid\u00e9e cclb !!!<\/span><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/a>
\n<\/span><\/span><\/span><\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n4<\/span><\/td>\n		Hey man amen – Serge Gainsbourg<\/a> – version valid\u00e9e cclb !!!<\/span><\/span><\/td>\n\"\"<\/a><\/span><\/td>\n<\/a><\/span><\/a>
\n
\n<\/span><\/td>\n		<\/a><\/span><\/td>\n<\/tr>\n
5<\/span><\/td>\nHungry Heart <\/a>– Bruce Springsteen 2*A4<\/a> ou \u00a01*A4<\/a><\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n<\/a><\/span><\/td>\n<\/tr>\n
6<\/span><\/td>\nThe River – Bruce Springsteen <\/a>– Partition guitar<\/a><\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n<\/a><\/span><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n
\n<\/span><\/td>\n<\/tr>\n
<\/td>\nDamien Saez – Jeune et con<\/a> – version \u00e0 tester<\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n
\nZaz – La f\u00e9e ???\u00a0<\/a> – version \u00e0 tester<\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n
\nAxelle Red – la claque ?<\/a>
\n– version \u00e0 tester<\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n
\n
\nBob Marley – No Women no Cry<\/a> – version \u00e0 tester<\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/span><\/td>\n
\nJL AUBERT – DEMAIN SERA PARFAIT<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
2<\/span><\/td>\n
\nJL AUBERT – LE JOUR S’EST LEVE<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
3<\/span><\/td>\n
\nJL AUBERT – MARCELLE<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
4<\/span><\/td>\n
\nTELEPHONE – NEW YORK AVEC TOI<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
5<\/span><\/td>\n
\nThe Rolling Stones – Honky Tonk Woman <\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
6<\/span><\/td>\n
\n
\nThe Rolling Stones – Under My Thumb Chords<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
7<\/span><\/td>\n
\nThe Rolling Stones – No expectations –
\n<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
8<\/span><\/td>\n
\nBob Dylan – Knock’in on heaven’s door<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
9<\/span><\/td>\n
\nBob Dylan – LADY LADY LAY<\/a><\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n<\/a><\/span><\/td>\n<\/tr>\n
10<\/span><\/td>\n
\nThe Troggs – Wild Thing<\/a><\/span><\/td>\n
\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n
\n<\/a><\/span><\/td>\n<\/tr>\n
11<\/span><\/td>\n
\nEric Clapton – Cocain<\/a><\/span><\/td>\n
\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n
\n<\/a><\/span><\/td>\n<\/tr>\n
12<\/span><\/td>\n
\nLes Beatles – Day tripper<\/a><\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n
\n<\/a><\/span><\/td>\n<\/tr>\n
13<\/span><\/td>\n
\nLes Beatles – LET IT BE<\/a><\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		<\/td>\n<\/span><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n
\nEAGLES – HOTEL CALIFORNIA<\/a> <\/span><\/td>\n
\n\"\"<\/a><\/span><\/td>\n		Grille accords<\/a><\/span><\/td>\n<\/td>\n<\/tr>\n
1<\/span><\/td>\nVINO GRIEGO<\/a>
\n<\/span><\/td>\n
\n<\/span><\/td>\n
\nGrille accords<\/a><\/span><\/td>\n		<\/td>\n<\/tr>\n
2<\/span><\/td>\nPASODOBLE<\/span><\/td>\n<\/td>\nGrille
\naccords<\/a><\/span><\/td>\n		 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

\n1<\/span><\/td>\n		 <\/p>\n

Premi\u00e8re \u00e9vasion – instrumental<\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n2<\/span><\/td>\n		 <\/p>\n

Jumping jack
\nFlash<\/a><\/td>\n


\n<\/span><\/span><\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
3<\/span><\/td>\n
\nOne Bourbon, one
\nscotch<\/a> …Youtube<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		 <\/p>\n

<\/td>\n<\/tr>\n


\n4<\/span><\/td>\n		 <\/p>\n

Derni\u00e8re Danse<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n5<\/span><\/td>\n		 <\/p>\n

Parce
\nqu’on vient de loin<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n6<\/span><\/td>\n		 <\/p>\n

L’\u00e9t\u00e9<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n7<\/span><\/td>\n		 <\/p>\n

Manha de
\ncarnaval<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
8<\/span><\/td>\n <\/p>\n

Les mains d’or<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n9<\/span><\/td>\n		 <\/p>\n


\nLa javanaise<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n10<\/span><\/td>\n
\nSauce piquante – instrumental<\/span><\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n11<\/span><\/td>\n		 <\/p>\n

Rock
\nAround the Clock<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
12<\/span><\/td>\n <\/p>\n


\nRocamadour<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/tr>\n

\n13<\/span><\/td>\n		 <\/p>\n

C’est comme \u00e7a<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n14<\/span><\/td>\n		 <\/p>\n

Johny B. Good<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
15<\/span><\/td>\n <\/p>\n

Cendrillon<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n		 <\/p>\n

<\/td>\n<\/tr>\n

16<\/span><\/td>\n
\n
\nAin’t Mis be havin’<\/a><\/span><\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
17<\/span><\/td>\n <\/p>\n

Mon c\u0153ur mon
\namour<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
18<\/span><\/td>\n <\/p>\n

Tu
\nverras<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
19<\/span><\/td>\n <\/p>\n

Perdido<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n

\n20<\/span><\/td>\n
\nC\u00e9cile<\/a><\/span><\/td>\n		<\/span><\/td>\n<\/span><\/td>\n<\/tr>\n
21<\/span><\/td>\n <\/p>\n


\nSympathy for the devil<\/a><\/td>\n


\n<\/span><\/span><\/td>\n		<\/td>\n<\/tr>\n
22<\/span><\/td>\n <\/p>\n


\nSur la route de Memphis<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
23<\/span><\/td>\n <\/p>\n

Les lionnes<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
24<\/span><\/td>\n <\/p>\n

Tu me
\ncorresponds<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
25<\/span><\/td>\n <\/p>\n


\nTomber<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
26<\/span><\/td>\n <\/p>\n


\nJ’en r\u00eave encore<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
27<\/span><\/td>\n <\/p>\n

Caravane<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
28<\/span><\/td>\n <\/p>\n

En
\napesanteur<\/a><\/td>\n


\n<\/span><\/span><\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
29<\/span><\/td>\n <\/p>\n

Let’s Fall in love<\/a><\/td>\n


\n
\n\"\"<\/a><\/span><\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
30<\/span><\/td>\n <\/p>\n

Mean to me<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
31<\/span><\/td>\n <\/p>\n

Daybreak<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
32<\/span><\/td>\n <\/p>\n

L’Aurore<\/a><\/td>\n

<\/td>\n<\/td>\n<\/tr>\n
33<\/span><\/td>\n <\/p>\n

A la faveur de
\nl’automne<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
34<\/span><\/td>\n <\/p>\n

Si tu
\nveux m’essayer<\/a><\/td>\n


\n<\/span><\/span>\"\"<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
35<\/span><\/td>\n <\/p>\n

Ces id\u00e9es
\nl\u00e0<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
36<\/span><\/td>\n <\/p>\n

La bamba<\/a><\/td>\n

<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
37<\/span><\/td>\n
\nSensualit\u00e9<\/a><\/span><\/td>\n		<\/td>\n
\n<\/span><\/span><\/td>\n<\/tr>\n
38<\/span><\/td>\n
\nLe pouvoir
\ndes fleurs<\/a><\/span><\/td>\n
\n<\/span><\/span>\"\"<\/td>\n		<\/td>\n<\/tr>\n
39<\/span><\/td>\n
\n
\nC’est une poup\u00e9e<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
40<\/span><\/td>\n
\nLe lion<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
41<\/span><\/td>\n
\n
\nS’asseoir par terre<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n
42<\/span><\/td>\n
\nTravailler
\nc’est trop dur<\/a><\/span><\/td>\n		<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Les textes, les partitions et les fichiers Midi du kouac ! Saison 2022 N\u00b0 PAROLES – ACCORDS – PARTITION PDF Lien site Internet Fichier mp3 Fichier midi 1 Oye como va – Carlo Santana \u00a0 2 The River – Bruce Springsteen – \u00a0Partition guitar 3 Hungry Heart – Bruce Springsteen 2*A4 ou 1*A4 4 L’\u00e9t\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":2277,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-600","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/pages\/600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/comments?post=600"}],"version-history":[{"count":0,"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/pages\/600\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/media\/2277"}],"wp:attachment":[{"href":"https:\/\/jm31.com\/wp_jm31\/wp-json\/wp\/v2\/media?parent=600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}